Paper no 10 American Literature
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Characteristics of
Poe’s short stories/ writing/ structure
Name : Vadher Arti
Hareshbhai
Roll no : 5
Year: 2016-18
M.A. semester :3
Paper no : 10
American Literature
Assignment topic :
Characteristics of Poe’s short stories/ writing/ structure
Submitted to :
smt.S.B.Gardi, Department of English.
Introduction :
The Gothic Romantic
Movement combined elements of horror and romance – much like our thriller and
horror films today. By the time Poe came along, people weren’t writing as many
horror stories – the genre had fallen out of favor somewhat, but Poe was one of
the main writers who reinterpreted and refreshed the genre. The Romantics
focused on awe, trepidation, and terror and the Gothics focused on the
mysterious, such as hidden passageways, ghosts, screams, and magic. So when the
two are combined, such as Poe did, you end up with a whole lot of creepy.
Edgar Allan Poe, an important writer and a poet, during the Victorian
Gothic period is credited with producing many tales of mystery, and terror.
Poe’s first collection of short stories “Tales of Grotesque and Arabesque” was
published in 1839.Poe’s imaginative writings within several different modes of
discourse show how Poe both followed yet departed from a variety of literary
approaches and genres. In ‘Poe and Gothic Tradition’, Benjamin Franklin Fisher
begins by placing Poe among Anglo-American Gothic novelists and then provides
close readings of several of Poe’s Gothic tales to show how he manipulated and
challenged the conventions of gothic fiction and horror. Also best known for
his tales of mystery and macabre, Poe was one of the earliest American
practitioners of short story and is considered the inventor of detective
fiction genre.
Poe's statement not only furnishes a negative basis for telling what a
short story is not, but it Also offers a positive foundation upon which we
can establish a definition of the short story which declares that a
short story is a brief tale which can be told or read at one sitting.
This definition requires two things of the story: (1) that it shall be
short and (2) that it shall possess coherence sufficient to hold the reader's
or listeners unflagging interest from beginning to end.
Some North American
View about Short story:
Poe, in his
criticism already quoted, maintained that ir? order to produce a true short
story an author must not only make his tale short and to the point, but must
also fashion it with deliberate care so that it will produce a single effect;
and this statement has been accepted with more or less un questioning faith by
practically every man who has written authoritatively upon the short story
since Poe's time.
Brander Matthewsdeclares that " the short story is the
single effect."
Professor Bliss Perry, “while rejecting many of Mr.Matthews's
conclusions, agrees with him that the short storyof the nineteenth century is
set off from those that preceded it by the “new attitude of the contemporary
shortstory writer toward his material, in his conscious effort toachieve under
certain conditions a certain effect."
Professor
Canby says that“Poe succeeded in his work by fixing the attention
upon the climax of his story, so that the reader sees, feels, thinks of the
'unique effect 'of the story and of nothing else. If the modern short story has
a technique, here it is ; if it is an invention, Poeinvented it."
Here we saw that poe’s work is prominently as a
story writer but writing of story is different away from Hoarer or Climax
through talk story talking. Here I have put an image about how horror or
suspense thriller through to story represents their character as:
Allan Poe’s also very famous for Gothic form of
literature of many of story his was physiological to explain. Poe was never
coherent long enough to explain how he came to be in his dire condition
Some sources say Poe's final words were "Lord help my poor
soul."
All medical records, including his death certificate, have been lost. Newspapers at the time reported Poe's death as "congestion of the brain" or "cerebral inflammation", common euphemisms for deaths from disreputable causes such as alcoholism.
The actual cause of death remains a mystery.
Poe’s greatest literary achievement was his renovation of terror tale to entertain by means of curdling the blood.
All medical records, including his death certificate, have been lost. Newspapers at the time reported Poe's death as "congestion of the brain" or "cerebral inflammation", common euphemisms for deaths from disreputable causes such as alcoholism.
The actual cause of death remains a mystery.
Poe’s greatest literary achievement was his renovation of terror tale to entertain by means of curdling the blood.
He realized at the outset of his career that Horror was
eminently compatible with psychological plausibility in literature.
·
Here
First Example of one story name was ‘The Fall Of House of Usher
·
The House is
full of Mysteries.
·
The House created
the image of coolness, where nobody can live.teries.
·
The
description of the house, Madeline thumping desperately
·
in
the coffin, the storm, wall with hanging shield, clamor of falling
·
shield,
slow opening of the door etc.
·
Snow
symbolizes death.
·
The
real essence of the short story is in the ‘Effect’-the effect of Terror,
Horror…hair raising experience.
·
Entombing
of Madeline is full of Terror.
·
Also
some observation like as a poe’s story:
Psychological Dimension:
·
The
story depicts the struggle within the soul.
·
Roderick
Usher, his sister Madeline, and the house all shared one common soul.
Next we discuss that Poe’s story "The
Tell-Tale Heart" first published in January 1843. It is a gothic story
which involved the psychology of man that how psychology operates and it draws
man to become devil. It is told by an unnamed narrator who endeavors to
convince the reader of his sense (sanity), while describing a murder he
committed.
“TRUE! --Nervous --very, very dreadfully nervous
I had been and am; but why will you say that I am mad? The disease had
sharpened my senses --not destroyed --not dulled them. Above all was the sense
of hearing acute. I heard all things in the heaven and in the earth. I heard
many things in hell. How, then, am I mad? Hearken! and observe how healthily
--how calmly I can tell you the whole story.” – This is the starting of
the story.
Throughout the reading of story, reader can
understand that there is a factor of Psychology, that how its operate and how
it inspires human to do some deed. Here reader can apply psychology of that
servant that the Vulture eye of Old man, leads him to do murder of an old
man. Let’s discuss some psychology aspect of narrator.
Vulture Eye
v Id, Ego, Superego,
v Mental Conflict
v Guilt and Innocence
v Sanity and Insanity
v Fear and Terror
v Attempt of Crime
v Acceptance of Crime
To begin to understand the motive of the
narrator in Edgar Allan Poe’s “The Tell-Tale Heart,” it is necessary to first
analyze Poe’s life. Throughout his life, he lost nearly everyone that he loved,
whether it be by leaving (his father), their deaths (his mother and wife/first
cousin), or simply growing apart (his foster family). Due to all of these
incidents, it is very possible that Poe developed abandonment issues; Poe was
most likely very afraid of losing any more people that he cared about
unexpectedly.Poe’s stories often take place in dark, mysterious places. In
spite of focusing largely on horror and suspense, Poe writes about complex
matters like grief and love.Most of the stories that we read in today’s modern
world trace a great impact on our mind. But the question is how does the author
keep the reader excited and focused? The answer is “Suspense”. Suspense is the
type of writing skill that the authors use to give the readers, uncertainty
about the conclusion and it becomes interesting for the readers to wonder and
the want to read more. Here I share image this may be think helpful to
understand how the suspense create or development of reader mind. Also here
critical evaluate feature of Mystery,Horror, or Suspense.
The genre of Poe’s works, their plot structure,
type of narration, word choice, imagery, devices with the help of Poe creates
and heightens the effect of suspense and horror. Works such as “The
Black Cat” and “The Fall of the House of Usher” serve as
vivid examples of Poe’s effective horror creating technique.
When the story opens, we are confronted with a
gloomy atmosphere. When his eyes fall upon the House of Usher he says, “A sense of insufferable gloom pervaded my spirit”and he is further horrified by images he sees
of the house in the tarn. Here, Poe succeeds in creating a sense of fear and
suspense in our minds. There is also a use of colour imagery which creates an
impact on our senses and feelings made by the shades of light.Poe paints his
gloomy settings with four main colours: Black, Red, Grey and Yellow.
I said to him --
"My dear Fortunato, you are luckily met. How remarkably well
you are looking to-day! But I have received a pipe of what passes for
Amontillado, and I have my doubts."-
THE CASK OF AMONTILLADO
Ø In this story Unreliable Narrator 1st person
narrator that some reason tells an incorrect vision of the story.
Ø Usually the reader trusts that the
narrator is giving ab accurate version of the story.
Ø With Unreliable narrator the reader
can’t trust the narrator.
Also many point of story about setting or background of carnival. So that
What happens during Carnival
Ø Carnival is a time of EXCESS and
INDULGENCE.
Ø Banging upon food and alchol is
common.
Ø Partying in the streets and hidden
are enjoyed.
Any time you deal with rules for the short
story, inevitably, you’ve got to consider Edgar Allan Poe. It was he who
in 1842 virtually invented the genre as we know it today, taking it from the
earlier form, “the tale,” and defining what makes a good story tick in his
review of Nathaniel Hawthorne’s Twice-Told Tales. While experienced
writers break Poe’s rules as often as they do anyone else’s, knowledge of these
rules is fundamental to any beginning short story career. Briefly, Poe
said that a short story should:
1. be able to be read in one
sitting. Poe
defined this as being from one-half hour to one or two hours. Nowadays,
with television, radio, playstations and Ipod for alternative entertainment,
this may seem like a long time. But the one sitting rule is still a good
one, even if that one sitting is five minutes.
2. strive for unity of effect. Poe believed the aim of the short story
was to create a mood, an ambience, or as he called it, an “effect.” The effect
Poe himself often sought to create was terror or horror. While many
writers today completely ignore this rule, you may notice in reading short
stories a single effect--nostalgia, sadness, elation, whatever.
3. begin with the first
sentence.Obviously. But it means more than
that. Poe insisted that the effect should be created from the very first
line. His best short stories, such as “The Tell-tale Heart,” attempt to
create this effect from line one: “True--nervous--very, very dreadfully
nervous I had been and still am; but why will you say that I am
mad? The disease had sharpened my senses, not dulled them. Above
all was the sense of hearing acute. I heard all things in the heaven and
in the earth. I heard many things in hell. How then, am I
mad?” Well, this fella does seem to be one can short of a six-pack.
And we know it from line one.
4. have nothing in it that detracts from
the design. The story should lead directly and inevitably to the conclusion
without excess or digressive material. Get to the point and stay there.
5. aim for truth. Not truth, literally.
That is, you can still include events that might not literally occur.
Lord knows Poe did. He wrote all sorts of wild stories, and so can
you. But he believed that the story should remain true to the way people
really act in a given situation, true to the human heart.
6. stress imagination, invention,
creation and originality.
It’s no secret that Poe’s emphasis on effect is
no longer always the driving force in the short story. Contemporary
writers have turned their rules every which way but loose. But don’t
forget these concepts as you begin to read the great short stories in our unit.
There are Element of horror or gothic is much effect is darken with evil
thought represented. Here we first for when talk about Edger Allan Pow’s that I
have remember many writer of Gujarati or also Hindi language literature. I have
some observe like compare to work about Poe’s short story is same as Guajarati
language literature was name that H.N.Golibar.He was famous for
hoarer or suspense’s thriller story writer of Guajarati language. Some story
example regarded as:
The Literary style of
Edgar Allan:
• Best known
fiction works are Gothic
• Most
recurring themes deal with the questions of death and lost love
• Considered
part of the dark romanticism genre
• In his
short Story, “The Tell-Tale Heart” Poe writes about Murder, Insanity, Obsession
and Guilt
Literary Style and
Themes
• In his
poem, "The Raven", he uses many different elements as symbols. A
raven is usually the symbol of something dark and sinister. A raven is also a
sign of death. This poem is a poem of losing hope, and his dealings with his
dead love Lenore, and how the raven torments him into insanity. Throughout the
poem, the narrator is tormented by his lost love, Lenore, who came back in the
form of a raven.
• In The
Raven, Poe starts off the story with "Once upon a midnight dreary, while I
pondered, weak and weary.”
• This
sentence identifies how he sets the setting for the story. This sentence makes
you think of a dark lonely night. This is a good example of how Poe's literary
style is dark.
Conclusion:
In this sum up topic we can say that Poe's short
story are very interestings deals with horror or gothic to expalin
pshychological thinking.With these examples of characters, we can say that,
Poe’s characters have no morality and human values, but they are presented with
evil deeds, monstrous figures and criminal minds.Poe’s most of the tales are
psychological, horror, gothic, detective, supernatural, mysterious, they are
related to crime and have characters who are abnormal, murderers and suffering
from their own mentality.
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